| Welsh National Opera | ||
| Lothar Koenigs | Direction | |
| Sir David Pountney | Mise en scène | |
| Johan Engels | Décors | |
| Marie-Jeanne Lecca | Costumes | |
| Orchestra of Welsh National Opera | ||
| Jacques Imbrailo | Basse | Pelléas |
| Jurgita Adamonytė | Mezzo-soprano | Mélisande |
| Christopher Purves | Basse | Golaud |
| Leah-Marian Jones | Mezzo-soprano | Geneviève |
| Scott Wilde | Basse | Arkel |
| Rebecca Bottone | Soprano | Yniold |
| Stephen Wells | Basse | Un médecin |
This is a tragic opera unlike any other, Debussy eschews vocal fireworks to create a strange, dreamlike atmosphere which is hard to escape from. It is fitting that the team who created a definitive account of Lulu in 2013 should return to stage this beautiful and troubling 20th century masterpiece. Prepare to lose yourself in Debussy’s sensual and mysterious world.
Supported by WNO Partners.